First, have a look at the file
When you are ready to start processing the
recording, I would suggest first having a look at its general condition. Of
course, you would have got a pretty good idea of the quality during the process
of recording, especially if you had taken the trouble of jotting down notes on
the time points at which problems occurred: maybe a long initial empty stretch
before the needle hit the groove, or a stuck groove, or some breaks which you
re-recorded in another file, or certain very noisy portions. Here’s a suggested
work flow to deal with it all.
Next, trim the empty bits
First things first: you need to trim off
the leading empty stretch (the leader), taking care to leave a few seconds
before the actual recording starts, so that you have a good stretch to capture
background ‘noise’ if needed (like the ‘hiss’ in a tape). Believe me, if you’re
doing a Beethoven, you will need it, as he is particularly challenging to
record with alternating stretches of very loud and very soft sound. If the
scratching noise in the quiet stretches is too obvious, you may have to try
subtracting the noise at least in these quiet stretches (the background noise
will usually not be noticeable in the loud bits).
Break the file into (2-minute) bits using Snap-To
If, as is more likely, you would like to
improve the recording, one of the most helpful things you could do would be to
break up the file into little bits; I like two-minute sections. There are many
advantages in doing this, and dealing with each section separately. One is that
loading, processing, saving the files become much faster, so that you can
achieve some progress even in a short sitting. Secondly, if you goof up somehow
(deleting the file, for instance), or the computer hangs, you will only loose
the current two-minute bit, rather than the entire work. In fact, if you load
and try to work on a long file, chances are that the system will hang or crash;
so dividing it into small bits is helpful even if you have all the time (and
patience!) in the world.
There is a very nifty feature in Audacity
called Snap-To (on the Edit menu), that is enormously helpful in doing the
`slicing’ precisely. By turning Snap-To On, the cursor goes precisely to a full
number on the time line (minutes or seconds, depending on how zoomed in you
are). You may have to experiment a bit with zoom levels to ensure Snap-To to
goes to a full number of minutes, such as 2:00, 4:00, and so on. First, load
the whole file (with trimmed beginning and end, as described above), turn on
Snap-To, position the cursor near 2:00 (miniutes), which should pull it exactly
to 2:00, then on the Edit menu choose Select /Start to cursor, then File/Export
Selection to save this portion as a separate file. Next, Select from 2:00 to
4:00, go through this cycle repeatedly till the whole file is done. You will
name the files name-01.wav, name-02.wav, etc.
What processing to do on each bit (click
removal, noise removal, etc.) will be discussed in the next post.
No comments:
Post a Comment